Three lyric pieces for Flute and Piano.
The intense pain of a parting cannot be measured in words. The whispering wounds are always there and you are reminded of what could have been, if only... Perhaps one day; perhaps. With the themes written in 1994, this is another lyric duet for flute and piano. The first movement has a polyrhythmic foundation with an ethereal main motive consisting of triplets and quintuplets. The second movement embraces one of Beppe's most touching and melodic themes, a theme which is also used in the symphonic poem «Theh Goldest» Op.27. «Parting» Op.20b (1994) ends with a long lasting, special bass chord on the piano. After this tranquil, pensive and haunting ending of the album, we leave it to the silence to take over the stage.
Instrumentation: Flute, Piano
Composer: Flint Juventino Beppe
Year composed: 1999
First performance: December 5, 1999
- I (2:40)
- II (5:20)
- III (2:30)
First performed by Tom Ottar Andreassen and Wolfgang Plagge.
— More fine playing from Wolfgang Plagge who is joined again by Tom Ottar Andreassen for Parting, Op.20b.
A fast flowing flute and piano theme opens the first movement, soon slowing before regaining tempo. The music alternates between faster and slower and often hesitant passages with many little features, rapid piano phrases, slides and lovely flute textures. The piano opens the second movement, gently and quietly, before the flute enters with a gentle, wistful melody against a rocking piano theme. The flute varies the melody, as does the piano, whilst keeping the rocking theme. This is simply a gorgeous movement – and what a fine, lovely coda. A fine theme for piano opens the concluding movement before the flute plays a two note figure that is developed against a repeated piano theme until the hushed coda.
The Classical Reviewer